Director: James Watkins
Cast: James McAvoy, Aisling Franciosi, Mackenzie Davis, Scoot McNairy, Alix West Lefler, Dan Hough
Rating: ★★★☆☆ (3/5)

James Watkins’ “Speak No Evil” is a chilling exploration of societal constraints and the discomfort that arises from seemingly benign social interactions. As a remake of the 2022 Danish hit of the same name, the film takes a nuanced approach to psychological horror, delving into the unsettling dynamics of cultural and personal boundaries.

The narrative centers around an American family—Louise (Mackenzie Davis), Ben (Scoot McNairy), and their daughter Agnes (Alix West Lefler)—who, while on a lackluster vacation in Italy, encounter an English couple, Paddy (James McAvoy) and Ciara (Aisling Franciosi). The initial charm of their hosts quickly gives way to a more sinister undercurrent as the family accepts an invitation to their remote farmhouse in the English countryside.

Watkins masterfully sets up a sense of foreboding through Paddy’s aggressive charisma and the increasingly uncomfortable environment of the farmhouse. McAvoy’s portrayal of Paddy is particularly noteworthy, as he imbues the character with a gleaming-eyed menace that intensifies the film’s psychological tension. His interactions with Louise and Ben play on their insecurities and cultural differences, amplifying their discomfort and adding layers to the narrative.

The film effectively uses the theme of parenting defensiveness to heighten tension, as Louise’s politically correct vegetarianism and Ben’s urbane gentility become points of contention. Paddy’s critiques of their parenting choices and lifestyle add a disturbing edge to the already uncomfortable situation. Louise’s exasperation grows as Ben fails to question Paddy’s increasingly aggressive behavior, contributing to a palpable sense of unease.

However, while Watkins maintains tight control over the narrative up to a critical juncture where the stakes become clear, the final act is where the film falters. The transition to a more conventional Hollywood ending feels contrived and detracts from the film’s initial bleak tone. The resolution, while satisfying in some respects, seems to undermine the carefully built tension and suspense of the earlier parts of the film.

Overall, “Speak No Evil” is a well-crafted psychological thriller that offers a fresh take on societal discomfort and the terror of familiarity. Despite its strong performances and effective build-up, the film’s departure from its original bleak ending to a more contrived conclusion leaves it somewhat lacking. The final act’s shift in tone does not entirely undermine the film’s achievements but does diminish its impact.

Rating: ★★★☆☆ (3/5)

In conclusion, “Speak No Evil” is a compelling watch for those interested in psychological horror with a focus on social dynamics, though it may not fully satisfy those seeking a consistent and original conclusion.